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No, I assure you that there is no non-sequitur in this asseveration. Akunin, as I have had occasion to mention in previous posts, is the prolific writer of historical crime fiction. His hero and heroine, Fandorin and Sister Pelagia respectively, ply their trades in the Tsarist Russia of the late 19th century. The writing is arch with conversational asides from the narrator to the dear reader, full of knowing and prescient addresses, adumbrations and admonitions. Whilst in the Fandorin cycle, Akunin explores the variants of the crime genre (to wit, the locked-room mystery, the espionage story, the world-conspiracy tale and so on) in a facetious and exaggerated style, the Pelagia series is much fluffier, differentiated by weaker, repetitive plot structures. The humour is far more laboured, the successive disguises and contortions by Pelagia, a beautiful, freckled and red-headed Muscovite noblewoman-turned-nun and gymnastics teacher, are unlikelier than Fandorin's scarcely credible multifaceted skills. And yet, both characters are engaging and sympathique, and the books offer little moments of joy in this otherwise bleak and overbearing world.
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Marie Curie (holding hat), Irene (on her right), Eve (on her left), 1921 |
As I said, historical figures dot both series of novels. In Pelagia And The Black Monk, a physicist discovers radioactivity in the remnants of a meteorite at a Russian monastery, and develops a cordial scientific relationship with Toto and Masha in France. Unfortunately, the physicist is also insane. When his psychiatrist informs his interlocutors of this fact, they begin to ignore his missives and entreaties, much to his frustration and baffled anger. It is only towards the end of the book that we discover who Toto and Masha are: Antoine Becquerel and Marie Curie, whose work in the extraction of uranium and radium from pitchblende is known to and encouraged by our lunatic.
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