JOST A MON

The idle ramblings of a Jack of some trades, Master of none

Feb 17, 2013

Under 200, Part 6

For some reason I cannot fathom, the local library has an occasional memoir among its fiction books.  Perhaps the librarians have a crafty cynicism? Some of these books are less than 200 pages long and I pick them up as part of my rampage through the shelves. To be honest, I pick one up - Rod Humphries' The Last Coal Trip to Tenby. I am not happy. It reads like a transcript of oral recollections. It is punctuated badly and the grammar is often awful. It is an interesting story of vanishing life in Wales just before the Second World War. It has rugby and eccentric characters. It has bibliophiles and religious nuts. It has avid drinkers and outdoors toilets. It has sporadic references to Welsh food. It would have done much better as a period comedy on TV.

In fact, my latest stash of borrowings have been singularly under par. Even vaunted writers such as Yasushi Inoue and Janet Frame and Shirley Hazzard have underwhelmed. The last of these wrote Cliffs of Fall, and Other Stories, which explores the emotional relationships between women and men in a series of short stories set in various parts of the world. Every one of her characters appears to have the same emotional maturity; they speak in similar voices; their introspection is identical irrespective of age. Every story deals with some sort of breakup, usually prompted by the (emotionally unavailable) men, sometimes by death. It's as though Hazzard feels that she can only extract nuances of human behaviour from unhappy people. Clearly she has taken Tolstoy to heart.

****

Yasushi Inoue's The Hunting Gun is one of the masterpieces of Japanese literature. I don't get it.

****

I exaggerate a tad. Pleasure was had from Zoë Heller's first novel Everything You Know, which has one of the most acerbic misanthropes I've encountered in the past year or so. His hatred of London and New York is so intense and so exquisitely described that any reader who hasn't been to these cities would probably never want to visit. He has a troubled relationship with his daughters (one of whom kills herself) and in his youth had served time for the murder of his wife (acquitted on appeal). Despite his dislike for people in general, and contempt for the women in his life, he occasionally does feel pangs of sympathy for them, and he tries to do the right thing. Of course, his good work is invariably thrown back in his face. No wonder he staggers through life despising everyone. Heller does like an optimistic ending, though. I'd have preferred the man to die filled with his bitterly dark humour.

****

Oh, and Günther Freitag's Brendel's Fantasy is another exploration of a man's mortality. Like Heller's protagonist, Freitag's - Höller - is dying as well, and he is determined to go with a bang. He feels that every musical masterpiece has an ideal location suited to it, where it must be played to extract every ounce of its beauty. He is convinced that the great pianist Alfred Brendel is the man to play Franz Schubert’s Wanderer Fantasy, his favourite piece. Retiring to a little town in Tuscany, he senses that here's where he'll stage Brendel's performance of the piece. The novel follows Höller's efforts to establish a venue deserving of the Fantasy. Naturally he faces incomprehension, dismay and unsavoury characters as he tries to bring his life's desire to fruit.

****

I'm past the letter 'I' and heading 'K'-wards... Katie Kitamura! Happy days.

Dec 4, 2012

Under 200

There are more than four hundred books on my To-Read list. It is a daunting number made especially so by attention deficit and a niggling feeling of restlessness. I have decided to put them aside for now. Maybe when I have that study I have been promised where I can reign like a potentate and reach out to grab a likely book from one of several floor-to-ceiling shelves - then, I'll get onto buying these books and reading them. Until then, to keep my mind ticking along its unexamined and un-introspected path, I have resolved to introduce an element of randomness to my reading.

Those four hundred books on my list range quite widely across genres of fiction and tropes of non-fiction. Most of them are on the list, however, because I read of them on some review or the other. As I do not browse bookstores anymore, there is no serendipity in my reading. So what better way to reintroduce an element of chance than by random grabs from the library's fiction shelves?

I don't want to spend hours on thick tomes that might prove enervatingly boring half-way through. I don't want to linger for hours on one paragraph and try to glean every manner of jewel from it. As I said - attention deficit. So here's what I am going to do: I'll go through the fiction shelves of my local library in alphabetical order and I'll pick up every book under 201 pages long. I will ignore the blurbs and I will get stuck into every book. I'll likely discover authors I had never heard of, never read, and - given any other trajectory in my life - would never attempt. 

The choice of 200 pages as the upper limit on size is quite arbitrary. After all, a book of 150 pages with small font is as chunky, word-wise, as another with 200 in big type. Still, it's an important psychological barrier. I can finish a two-hundred page book in a day (or at a sitting were it not for constant interruptions from sundry little imps and my own nervous energy). I needn't worry about wasting hours should the prose be impenetrable. And carrying the books from and to the library will not ruin my back. Good stuff.

So here I'll make (and keep updating) the list I'm ploughing over. I might blog about them. Or I might not.
  1. Wajdi Ahdal, A Land without Jasmine. [Yemen]
  2. Woody Allen (*), Mere Anarchy. [USA]
  3. Niccolò Ammaniti (*), Me And You. [Italy]
  4. Steven K. Amsterdam, Things We Didn't See Coming. [USA]
  5. Lin Anderson, Blood Red Roses. [Scotland]
  6. Margaret Atwood, The Tent. [Canada]
  7. Paul Auster, Timbuktu. [USA]
  8. Muriel Barbery, The Gourmet. [France]
  9. Lukas Bärfuss, One Hundred Days. [Switzerland]
  10. Djuna Barnes, Nightwood. [USA]
  11. Nicola Barker, Love Your Enemies. [England]
  12. H. E. Bates, The Darling Buds of May. [England]
  13. Georges Bataille, Story of the Eye. [France]
  14. M. C. Beaton, Deborah Goes to Dover. [Scotland]
  15. Alan Bennett (*), Smut: Two Unseemly Stories. [England]
  16. Louis de Bernières, Red Dog. [England]
  17. Alessandro Boffa, You're an Animal, Viskovitz. [Italy]
  18. Roberto Bolaño, Monsieur Pain. [Chile]
  19. Anne-Sophie Brasme, Breathe. [France]
  20. Theresa Breslin, Prisoner in Alcatraz. [Scotland]
  21. George Mackay Brown, Beside the Ocean of Time. [Scotland]
  22. Willa Cather, The Bohemian Girl. [USA]
  23. Truman Capote, Summer Crossing. [USA]
  24. Angela Carter, The Passion Of New Eve. [England]
  25. Robert Carter, The Gun-runners.
  26. Maxime Chattam (*), Carnage. [France]
  27. Janet Davey, First Aid. [England]
  28. Patricia Duncker, Hallucinating Foucault. [England]
  29. Marguerite Duras, Moderato Cantabile. [France]
  30. Ann Dee Ellis, This Is What I Did. [USA]
  31. Bret Easton Ellis, Less Than Zero. [USA]
  32. Jenny Erpenbeck, Visitation. [Germany]
  33. Janet Frame, The Lagoon: A Collection of Short Stories. [New Zealand]
  34. Alan Ford, Thin Ice. [England]
  35. Günther Freitag, Brendel's Fantasy: A Novel. [Austria]
  36. Jostein Gaardner, Through A Glass, Darkly [Norway]
  37. Damon Galgut, In a Strange Room. [South Africa]
  38. Jane Gardam, The Pangs Of Love. [England]
  39. Alan Garner, Thursbitch. [England]
  40. Pascal Garnier, The A26. [France]
  41. Hella Haasse, The Black Lake. [Netherlands]
  42. Hugo Hamilton, The Last Shot. [Ireland]
  43. Shirley Hazzard, Cliffs Of Fall. [Australia]
  44. Zoë Heller, Everything You Know, [England]
  45. Victoria Hislop, The Last Dance, and Other Stories. [England]
  46. Peter Hobbs, In the Orchard, the Swallows. [England]
  47. Alois Hotschnig, Maybe This Time. [Austria]
  48. Geoffrey Household, Face to the Sun. [England]
  49. Ted Hughes, Difficulties of a Bridegroom. [England]
  50. Helen Humphreys, The Lost Garden. [Canada]
  51. Rod Humphries, The Last Coal Trip to Tenby. [Wales]
  52. Samantha Hunt, The Seas. [USA]
  53. Jorge Ibargüengoitia, The Dead Girls. [Mexico]
  54. Yasushi Inoue, The Hunting Gun, [Japan]
  55. Robin Jenkins, A Very Scotch Affair. [Scotland]
  56. Ma Jian, Stick Out Your Tongue. [China]
  57. Andrew Kaufman, The Tiny Wife. [Canada]
  58. Michael Kimball, How Much of Us There Was. [USA]
  59. Katie Kitamura, The Longshot. [USA]
  60. Milan Kundera (*), Slowness. [France]
  61. Rodrigo de Souza Leão, All Dogs are Blue. [Brazil]
  62. J.M. Ledgard, Submergence. [Scotland]
  63. Stephen McGeagh, Habit. [England]
  64. Norman Maclean, Contracts. [Scotland]
  65. Tessa McWatt, Vital Signs. [Canada]
  66. Ernesto Mallo, Needle in a Haystack. [Argentina]
  67. Sándor Márai, Esther's Inheritance, [Hungary]
  68. Cornelius Medvei, Caroline: A Mystery. [England]
  69. David Miller, Today. [England]
  70. Alison Moore, The Lighthouse. [England]
  71. Alistair Morgan, Sleeper's Wake. [South Africa]
  72. Herta Müller, The Passport. [Romania/Germany]
  73. Irène Némirovsky, David Golder. [Russia/France]
  74. William Newton, The Two Pound Tram. [England]
  75. Raul Nuñez, The Lonely Hearts Club. [Argentina]
  76. Simon Okotie, Whatever Happened to Harold Absalon? [England]
  77. Anna Maria Ortese, The Iguana. [Italy]
  78. Julie Otsuka, The Buddha in the Attic. [USA]
  79. Chuck Palahniuk, Tell-All. [USA]
  80. Franck Pavloff, Brown. [France]
  81. Mervyn Peake, Letters from a Lost Uncle. [England]
  82. Per Petterson, It's Fine By Me. [Norway]
  83. Padgett Powell, Edisto. [USA]
  84. Annie Proulx, Brokeback Mountain. [USA]
  85. Atiq Rahimi, Earth and Ashes. [Afghanistan]
  86. Joan Riley, Waiting in the Twilight. [Jamaica/England]
  87. Mary Robison, Why Did I Ever. [USA]
  88. Knud Romer, Nothing But Fear. [Denmark]
  89. Meg Rosoff, How I Live Now. [USA]
  90. Leo Rosten (*), The Education of H*y*m*a*n K*a*p*l*a*n. [USA]
  91. Ambalavaner Sivanandan, Where the Dance is. [Sri Lanka/England]
  92. Elke Schmitter, Mrs Sartoris. [Germany]
  93. Alan Sillitoe, The Loneliness of the Long Distance Runner. [England]
  94. Ali Smith, Girl Meets Boy. [Scotland]
  95. Alexander Solzhenitsyn, One Day in the Life of Ivan Denisovich. [Russia]
  96. Simona Sparaco, About Time. [Italy]
  97. Muriel Spark (*), The Finishing School. [Scotland]
  98. Graham Swift, Learning to Swim and Other Stories. [England]
  99. Véronique Tadjo, As the Crow Flies. [Côte d'Ivoire]
  100. Mary M. Talbot, Dotter of Her Father's Eyes. [England]
  101. Pier Vittorio Tondelli, Separate Rooms. [Italy]
  102. Jáchym Topol, The Devil's Workshop. [Czech]
  103. Justin Torres, We the Animals. [USA]
  104. Kurt Tucholsky, Castle Gripsholm. [Germany]
  105. Fred Uhlman, Reunion. [Germany/England]
  106. Dimitri Verhulst, The Misfortunates. [Belgium]
  107. Sarah Webb, Behind Closed Doors. [Ireland][
  108. Nathanael West, The Day of the Locust. [USA]
  109. Rebecca West, The Return of the Soldier. [England]
  110. Jeanette Winterson, Weight: The Myth of Atlas and Heracles. [England]
  111. Taichi Yamada, Strangers. [Japan]
Okay, I felt compelled to add some genre stuff too. It's a rare crime or sci-fi book that comes in at less than 300 pages, but if you look closely enough, there are some sub-200 ones. Rare, but they're there.
  1. Ted Allbeury, Dangerous Arrivals. [England]
  2. Benjamin Black, The Lemur. [Ireland]
  3. Lilian Jackson Braun, The Cat Who Went Bananas. [USA]
  4. Max Brooks, Closure, Limited and other Zombie Tales. [USA]
  5. Tori Carrington, Queens Ransom. [USA]
  6. Judith Cutler, Silver Guilt. [England]
  7. Philip Daniels, The Inconvenient Corpse. [England]
  8. Francis Durbridge, Curzon Case. [England]
  9. Wolf Haas, The Bone Man. [Austria]
  10. Gerald Hammond, With My Little Eye. [Scotland]
  11. Alanna Knight, Deadly Beloved. [Scotland]
  12. Bill Knox, To Kill a Witch. [Scotland]
  13. Fritz Leiber (*), Swords and Ice Magic. [USA]
  14. Elmore Leonard (*), The Switch. [USA]
  15. Roy Lewis, An Assumption of Death. [Wales]
  16. Roger Ormerod, More Dead Than Alive. [England]
  17. Anne Perry, A Christmas Visitor. [England]
  18. Alexei Sayle, Mister Roberts. [England]
  19. Leopold Ritter von Sacher-Masoch, Venus in Furs. [Austria]
  20. Georges Simenon (*), Maigret Sets a Trap. [Belgium]
  21. Peter Turnbull, False Knight. [Scotland]
  22. Barry Unsworth, Morality Play. [England]
  23. Minette Walters, The Tinder Box. [England]
  24. David Wilson, The King's Park Irregulars. [Scotland]

The authors with stars against them are those I've read before. Onward!

Update: December 10: I'm beginning to think that with twenty-five books into this quixotic randomness, I've still not passed the first three letters of the alphabet. Too slow a progress! So, from the letter D, I'll only pick up books by authors I haven't read before - unless I really want to read that book.

Update: January 21: Incredible. There are books in this list that I cannot bear to continue reading. Sub-200? Pshaw. The books that defeat me are crossed out in the list above.

Update: January 31: I figured I might as well add the country of origin of each writer, so that I can keep track of the translated works.

Update: February 10: Letter 'I' and Inoue's doing my head in.

Update: February 18: Up to the letter 'K' with a slight detour towards Verhulst.

Update: February 28: Now nipping my way to 'O'.

Update: March 12: Decided to scan the crime/sci-fi/fantasy/horror shelves alphabetically as well.

Update: April 6: In the 'R' lot, with a couple of 'S' lying around too.

Update: April 16: Added the first graphic novel/memoir into the mix (Talbot's 'Dotter of Her Father's Eyes').

Update: May 8: Man, I'm really suffering now. I'm at the W's and it's a real drag to continue with this. Second wind, second wind...

Update: June 4: Haven't really made much progress with the W's, but rather liked Taichi Yamada's Strangers...

I must confess I have not - as far as I can recall - ever read any children's books by an Australian author. Until fairly recently, that is to say. Norman Lindsay's The Magic Pudding is a beaut, however, a peach of a book, positively rollicking with humour and verse and good companionship.

And, of course, food - lots of it, every variety of pudding and pie.
The PUDDIN'-OWNERS' EVENSONG

"Let feeble feeders stoop
To plates of oyster soup.
   Let pap engage
   The gums of age
And appetites that droop;
   We much prefer to chew
   A steak-and-kidney stew.

"Let yokels coarse appease
Their appetites with cheese.
   Let women dream
   Of cakes and cream,
We scorn fal-lals like these;
   Our sterner sex extols
   The joy of boiled jam rolls.

"We scorn digestive pills;
Give us the food that fills;
   Who bravely stuff
   Themselves with Duff,
May laugh at Doctors's bills.
   For medicine, partake
   Of kidney, stewed with steak.

"Then plight our faith anew
Three puddin'-owners true,
   Who boldly claim,
   In Friendship's name
The noble Irish stoo,
Hurrah, Hurrah, Hurroo!"

Feb 4, 2011

Ozzy Burger

In Tim Heald's rather pedestrian novel of academic snobbery, long-smouldering revenge, and obscure Tasmanian wines, Death and the Visiting Fellow, a chesty, long-legged and lissome beauty discusses burgers with the visiting Fellow.
Instead of the bijou, upmarket, expensive, one-off emporia of the salubrious oases to either side of the highway, these were chain convenience stores - drive-through off-licences, snack bars offering meat pies, pasties and deep-fried chicken drumsticks. 
All this was at one at the same time quintessentially Tasmanian and peculiar to Hobart, yet also familiar.  Perhaps even depressingly so. Doctor Cornwall felt he had not come to the far end of the earth in order to be confronted with canned Guinness and mass-produced Pizza Margerita. If he had wanted a Big Mac he would have stayed on campus at the University of Wessex. 
'I guess you have McDonald's in England,' said Ms Burney. 
'I'm afraid so.' 
'I know what you mean.' She wrinkled her nose. 'Where I come from in the north of the state you still get old-fashioned steak sandwiches. You know, with the lot. Old-fashioned white bread, and thick, brown gravy, half a pound of sirloin, fried egg, tomatoes, onion, cucumber, mayonnaise, pineapple, ketchup, mustard, lettuce, beetroot.' 
'Goodness,' said Tudor, aware that he was sounding prissy. 'All that in a single sandwich.' 
She looked at him with amusement and scorn. 'You poms!' she said. 'You don't know what a sandwich is. Slicely thinned cucumber and the crusts cut off. Call that a sandwich? Get out of here!'

Apr 9, 2010

Tauroid Tales

It has been a long, long time since I've seen the stars. I'm probably of the last generation of urban dwellers that recalls ever having seen the stars atwinkle in a clear night sky. And the only reason that I saw them at all was that in the late 1970s, what with load shedding in Delhi, entire swathes of the city went dark, and cloudless and unpolluted skies meant that the constellations appeared near enough to touch, and the Milky Way truly was Hera's breast milk streaking across the firmament.

Because Taurus is my zodiac, I've had a particular attachment to the stars in this constellation. The Bull squared off against Orion in an eternal battle. Mighty Aldebaran shone orange-red, fiery eye of the Bull, and the nymphly Pleiades clustered playfully. I used to wonder why all the star tales we were ever told were Greek myths. Didn't any other people ever look up at the night sky and see patterns and tell legends that mirrored their lives?

As it happens, they did, and we now have a treasure trove of stories from varied cultures around the world. Among the earliest depictions of Taurus is in the cave paintings at Lascaux, where the painted bull is
depicted with a markings that might represent the Seven Sisters or the Pleiads. For the Chinese, Taurus was not a bull but a white tiger, and Aldebaran then became the eye of that tiger.

Take a look at the name Aldebaran, though. This is an Arabic word, الدبران, meaning
the follower, as the star appears to follow the Pleiades. Many of the brightest stars in the sky have names that come from the Arabic - Achernar, Betelgeuse, Fomalhaut, Mizar, Algol ... - tribute to the great astronomers of the Islamic Middle-East. Aldebaran's Hindu incarnation is Rohini, the ochre-red wife of the Moon.

The Pleiades were called Kṛttikā by Indian astrologers, thought to be ruled by Agni, the Vedic fire god. Kartikeya, the warrior god, was born as six babies from the flaming seed of Shiva, and cared for by the six Kṛttikā, and merged into one infant with six faces by Parvati. For the Hindus, as for many other cultures, there were only six Pleiads; the Greeks claimed there were seven, daughters of Atlas, but one of them, Merope, was shamed into dullness for having married a mortal. They were chased by Orion and Zeus saved them by placing them in the night sky; when Orion himself was catasterised, he was set behind them, in tribute for that great chase.

There is another tale of a chase that resulted in the Pleiads: among the Kiowa of North America, it is said that seven girls went out to play, and were attacked by bears, and they ran up a rock and prayed to the spirit of the rock to save them, which it did by raising the rock to the heavens and placing the girls there as stars. The bears chased the girls onto the rock and left deep gouges on its sides as it became too steep for them to climb. That rock, they say, is the
Devil's Tower, in Wyoming.

For the
Mungulkabultu of Queensland, the Pleiads were the disastrous consequence of the loosening of the taboos of marrying within the clan. The king, Yunguipan, an emu man, continued to consort with Wakolo and her sister, both emu women, despite the advice and warnings of his priests. An insurrection against him resulted in various ills and chases and magics, and he and seven women found themselves entrapped in a log, and raised to the skies, where they became Aldebaran and the Pleiads. Wakolo, injured as she was in the tribulations on Earth, became the faintest of the seven stars.

Recently, I came across a Manipuri tale of the Pleiads in
Medieval Indian Literature: An Anthology, edited by K. Ayyappapanicker. A 14th century poem, Khongjomnubi Nongaron, tells of six girls who went to the lake to buy fish, and met six youths who begged them to stay the night, which they did unwillingly. The next day the girls were turned out of their homes by their parents for the shame they had brought to the families; upset because they couldn't find their lovers, they climbed a lofty mountain and prayed to the Sky God Soraren to save them. He turned them into the Pleiades, and the youths who had been in pursuit of the girls were turned into stars as well. The girls and the youths were allowed to descend to earth to consummate their relationships only once a year, and their children became cicadas.

If you know any other tales of Taurus, do shout.

Jan 16, 2010

Wine Tasting

I imagine that 2009 was rather good for investment banks, for suddenly their client entertainment budgets expanded, Christmas parties were on full swing, and I received an invitation or two to corporate events. Most recently, I went to the Haymarket Hotel near Piccadilly where a Wine Investment Challenge was held under the aegis of one of our brokers. This was organised in the basement of the hotel right by the swimming pool, which occasioned no end of surprise as the air was thick with chlorine.

So if I was unable to identify the wines, I can safely blame it on the Cl2.

The challenge was organised by Taste of the Vine, which is run by Francis Gimblett, a wine aficionado and stand-up man. He is famous for having unwittingly insulted Gerard Depardieu and then spending several years of his life chasing down the man, and then writing a book about his experiences. Here he tried to rouse the crowd with a wise-crack or two but people seemed more interested in downing their cocktails and piling onto the canapés. He quickly moved on to the challenge itself.

On each of three tables were placed two wines (hidden in cloth), and the task at hand was to identify them based on some hints given out on a printed paper. At the first table, the challenge was to identify the Higher Quality wine from the two Meursaults of the same producer. One was a higher quality ‘premier cru’, the other one a standard issue. Higher quality wines have richer character and more length, we were advised. We had descriptions for each that went something like this:

1) Appearance: Medium Yellow; Nose: Pronounced, Crisp Apple; Palate: Dry, High Acidity, Medium Body, Crisp Peach and Cox Apple.

2) Appearance: Medium Yellow; Nose: Pronounced, Pineapple, Apricot; Palate: Off Dry, High Acidity, Full Body, Tropical, Mango, Buttery.

sauzet Francis explained the three kinds of noses. A High Intensity nose is of a wine whose bouquet can be smelled from about five inches away. A Pronounced nose can be smelled from about 3 inches. A Low Intensity nose can only be smelled with the nose (the human one) in the glass.

With my sense of smell somewhat at an ebb and clobbered by all the chlorine, both the wines appeared to have low intensity. They were fine whites, and no amount of swirling helped me to discern the medium yellow or deep yellow appearance that might distinguish them. In the end, entirely at random, I chose ‘Mango, Buttery, High Acidity and Off Dry’ as the higher quality Meursault, and the ‘Dry, High Acidity, Crisp Peach’ offering as the lower quality.

At the next table, the challenge was to identify the older wine. There were two vintages of a premier cru red Burgundy, each of a different vintage (1996, 2004, or 2006). The hint? ‘Older wines exhibit more organic, less fruity character.’ Armed with this advice, I inhaled, sipped, swirled, gargled, rinsed, flushed, pulled up my zip, washed my hands. Here were the descriptions:

3) Appearance: Dark Red; Nose: High Intensity, Tar, Dried Cherry; Palate: Medium Tannin, Full Bodied Game, Strawberry and Herb Flavours.

4) Appearance: Deep Purple; Nose: Low Intensity, Blackcurrant, Vanilla; Palate: Low Tannins, Low Acidity, Medium Bodied Earthy, Blackcurrant.

5) Appearance: Pale Red; Nose: Medium Intensity, Strawberry Jam; Palate: Light Tannin, High Acidity, Medium Bodied, Sweet Red Berry, Herbs.

echezeaux I have to say that the first wine in this set was exceptional; even as debased a palate as mine could tell that it was superb. But which description did it correspond to? I suspected it was the third, but only because it was indeed lighter in colour than the other one. The experts around me insisted it was a 1996, so I went with that and description (5); and I selected description (4) and 2006 for the other candidate.

Finally, I staggered over to the third table, where the challenge was to identify the climate where the wine was made. Both the wines were from the same grape, but grown in parts of the world. Warmer climates, we were told, gave sweeter smelling and more alcoholic, fuller bodied wines. Here were the descriptions:

6) Appearance: Dark Red to Purple; Nose: Pronounced, Cassis, Sweet Cherry, Mint; Palate: Off Dry, High Tannin, Full Bodied, Blackcurrant, Toasty Oak.

7) Appearance: Deep Red with Garnet Edges; Nose: High Intensity, Cedar Musk, Blackcurrant; Palate: Off Dry, High Tannin, High Acidity, Full Body Sweet Cherry, Earth, Currant, Game.

8) Appearance: Tomato Red, Brown Edges; Nose: High Intensity, Sesame Seed, Gherkin; Palate: Sweetish, Lettuce Acidity, Deep Body, Lingering Black Pepper, Cheese, Onion, Meaty Notes.

penfolds I confess at once that I was totally boondoggled at this table. (I was also a bit peckish and weighed into a lamb & couscous dish, which further polluted my palate.) Both were dark dark wines. Was there a hint of pepper in one wine and not the other? Perhaps. I chose Cooler and description (8) for the first wine, and Warmer and description (7) for the second.

By that time, my head was spinning. There weren’t any spittoons, and the generous quantities of wine doled into my glass had sloshed their way through my bloodstream most effectively.

Francis Gimblett then announced the correct answers.

It turned out that I got all the qualities correct at table 1. From then on, it was all downhill. The exceptional Burgundy that we all liked turned out to be the younger one. At the third table, my choice of (8) for the wine had been repeated by many others. Gimblett rolled his eyes and explained that that was the description of the hamburger he had had that day for lunch.

One chap got all the answers right and was awarded a fine wine for his effort. I was troubled to see he was a Sikh. A Sikh! Drinking wine! Heresy! And then he guessed the price of yet another wine, and won that as well. I didn’t stay on to see if he would win the last challenge of all – to enumerate the nine grapes that account for the majority of the wines produced in the world. (If anyone knows what these grapes are, please feel free to list them.)

And here are the wines themselves:

  1. Étienne Sauzet Meursault Premier Cru 2007
  2. Étienne Sauzet Meursault Champs Canet 2007
  3. Echezeaux Domaine Rene Engel 2004
  4. Echezeaux Domaine Rene Engel 1996
  5. Peter Michael Les Pavots 1997 (California)
  6. Penfolds Bin 707 1997 (Australia)

That first Meursault and the 2004 Burgundy were the top of the heap. I’d like to get a bunch of them just so I can pretend to know all about them, but, boy, they sure cost a ton. My birthday will come up sooner or later, so, guys, there’s no need to think too much about what to get.

Cheers!